The majority of my practice explores the use of multiplicity, texture, pattern, repetition and simple formations in sculptural form.
My current body of work revolves around the use of scale, impossibility and instability to investigate the senses, with the idea of exploring and effecting how the viewer feels whilst viewing the work, investigating the seemingly impossible possibilities of the materials used, given that these are limited by gravity, through exploring the physical problems of weight, support and suspension.
Sculptures purposefully stacked or positioned as though teetering, giving a sense of unbalance and insecurity, without running the slightest risk of instability. The subject matter is not primarily the construction; the subject matter is your experience whilst viewing the sculpture.